Instant Music Composing Music Producing Software Application

ABSTRACT

The Instant Music Composing Music Producing Software Application System will optimize the music writing, composing, producing and arranging experience by providing a convenient and thorough Instant Music Composing/Music Producing Software. This Automated Digital Producer and Composer is useful in the Music Production and Songwriting and Composing areas within the Music Industry; comparable to renown Digital Music Production Software such as ‘Fruity Loops”, Logic, Cubasic, and Protools.The Instant Music Composing Music Producing Software Application provides a complete and convenient instant music maker, whereas the computations are unlimited combinations and sequences of its pre-stored database of loops, samples, music instrument sound, etc., that ultimately can create unlimited new songs.

CROSS REFERENCE TO RELATED APPLICATION(S)

A) Reference to Claim Number 1

-   Title: Performance Data Processing Apparatus, Performance Data     Processing Method, and Computer Readable Medium Containing Program     for Implementing The Method -   Inventors: Hiroki Nakazono, Hamamatsu (JP)     -   Shigehiko Mizuno, Hamamatsu (JP) -   Assignee: Yamaha Corporation, Hamamatsu-Shi (JP) -   application Ser. No. 11/386,170 -   Filed: Mar. 21, 2006

application Ser. No. Filing date U.S. Pat. No. Issue Date 11/386,170 Mar. 21, 2006 U.S. Pat. No. Jun. 16, 2009 7,547,839 B2

Related U.S. patent Documents to application Ser. No. 11/386,170

U.S. Pat. No. Issue Date Inventor U.S. Pat. No. 0,011,190 January 2004 Kawashima

Foreign Patents JP 61-255575 November 1986 JP 08-115084 May 1996 JP 142496 May 2001 JP 100120 April 2002 JP 039142 February 2004

B) Reference to Claim Number 1

-   Title: Array of equipment For Composing -   Inventors: Herbert Tuemandl, Vienna (AT) -   Assignee: Vienna Symphonic Library GmbH, Vienna (AT) -   application Ser. No. 10/275,259 -   Filed: May 9, 2001

application Ser. No. Filing date U.S. Pat. No. Issue Date 10/275,259 May 9, 2001 U.S. Pat. No. Sep. 12, 2006 7,105,734 B2

Related U.S. patent Documents to application Ser. No. 10/275,259

U.S. Pat. Nos. Issue Date Inventor U.S. Pat. No. 5,142,961 September 1992 Paroutaud U.S. Pat. No. 5,298,672 March 1994 Gallitzendorer U.S. Pat. No. 5,357,048 October 1994 Sgroi U.S. Pat. No. 5,693,902 December 1997 Hufford et. Al.

Foreign Patent EP 0237798 September 1987

C) Reference to Claim Number 1

-   Title: Dynamically Changing Music -   Inventors: Anton Perry Alferness, Seattle, Wash. -   Assignee: Anton Alferness, Seattle, Wash. -   application Ser. No. 10/435,417 -   Filed: May 9, 2003

application Ser. No. Filing date U.S. Pat. No. Issue Date 10/435,417 May 9, 2003 U.S. Pat. No. Jul. 18, 2006 7,078,607 B2

Related U.S. patent Documents to application Ser. No. 10/435,417

U.S. Pat. Nos. Issue Date Inventor U.S. Pat. No. 5,693,902 December 1997 Hufford et. al. U.S. Pat. No. 5,952,598 September 1999 Goede U.S. Pat. No. 5,973,255 October 1999 Tanji U.S. Pat. No. 6,093,880 July 2000 Arnalds U.S. Pat. No. 6,281,420 August 2001 Suzuki et. al. U.S. Pat. No. 6,281,421 August 2001 Kawaguchi U.S. Pat. No. 6,433,266 January 2002 Fay et. al. U.S. Pat. No. 6,683,241 January 2004 Wieder U.S. Pat. No. 0,039,872 November 2001 Cliff U.S. Pat. No. 0,159,566 August 2003 Safer et. al. U.S. Pat. No. 0,112,202 June 2004 Smith et. al.

D) Reference to Claim Number 1

-   Title: Systems and Methods For Creating, Modifying, Interacting with     and laying Musical Compositions -   Inventors: Alain George, Saint Paul de Vence (FR)     -   Frederic Flohr, Le Val du Tignet (FR) -   Assignee: MediaLab Solutions LLC (Chicago, Ill.) -   application Ser. No. 10/324,581 -   Filed: Dec. 18, 2002

application Ser. No. Filing date U.S. Pat. No. Issue Date 10/324,581 Dec. 18, 2002 U.S. Pat. No. Dec. 20, 2005 6,977,335 B2

Related U.S. patent Documents to application Ser. No. 10/324,581

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E) Reference to Claim Number 1

-   Title: Method and Apparatus For Composing Original Musical Works -   Inventors: Andy M. Milburn, New York, N.Y.     -   Jay Hardesty, New York, N.Y.     -   Joseph P. Lubin, New York, N.Y. -   Assignee: Postmusic, LLC, New York, N.Y. -   application Ser. No. 09/026,024 -   Filed: Feb. 19, 1998

application Ser. No. Filing date U.S. Pat. No. Issue Date 09/026,024 Feb. 19, 1998 U.S. Pat. No. Apr. 18, 2000 6,051,770

Related U.S. patent Documents to application Ser. No. 09/026,024

U.S. Pat. Nos. Issue Date Inventor U.S. Pat. No. 4,926,737 May 1990 Minamitaka U.S. Pat. No. 5,375,501 December 1994 Okuda U.S. Pat. No. 5,486,646 January 1996 Yamashita et. al. U.S. Pat. No. 5,548,080 August 1996 Minamitaka et. al. U.S. Pat. No. 5,621,182 April 1997 Matsumoto U.S. Pat. No. 5,627,335 May 1997 Rigopulos et. al. U.S. Pat. No. 5,705,761 January 1998 Minamitaka U.S. Pat. No. 5,736,666 April 1998 Goodman et. al. U.S. Pat. No. 5,753,843 May 1998 Fay U.S. Pat. No. 5,834,670 November 1998 Yumura et. al.

Foreign Patent 0143578 June 1985 European Patent Office

F) Reference to Claim Number 1

-   Title: Automatic Composer For Composing A Melody In Real Time -   Inventors: Junichi Minamitaka, Oume, Japan -   Assignee: Casio Computer Co. Ltd., Tokyo, Japan -   U.S. Pat. No. 998,561 -   Filed: Dec. 29, 1992

application Ser. No. Filing date U.S. Pat. No. Issue Date 998,561 Dec. 29, 1992 U.S. Pat. No. Sep. 19, 1995 5,451,709

Related U.S. patent Documents to U.S. Pat. No. 998,561

U.S. Pat. Nos. Issue Date Inventor U.S. Pat. No. 4,399,731 August 1983 Aoki U.S. Pat. No. 4,664,010 May 1987 Sestero U.S. Pat. No. 4,926,737 May 1990 Minamitaka U.S. Pat. No. 4,982,643 January 1991 Minamitaka U.S. Pat. No. 5,003,860 April 1991 Minamitaka U.S. Pat. No. 5,088,380 February 1992 Minamitaka U.S. Pat. No. 5,099,740 March 1992 Minamitaka U.S. Pat. No. 5,218,153 June 1993 Minamitaka

Foreign Patent 62-187876 August 1987 Japan WO 05616 September 1986 WIPO

G) Reference to Claim Number 2

-   Title: RedBook Audio Sequencing -   Inventors: Matthew W. Smith, Tulsa, Okla. -   Assignee: Microsoft Corporation, Redmond, Wash. -   U.S. Pat. No. 510,260 -   Filed: Aug. 2, 1995

application Ser. No. Filing date U.S. Pat. No. Issue Date 510,260 Aug. 2, 1995 U.S. Pat. No. Dec. 23, 1997 5,701,511

Related U.S. patent Documents to U.S. Pat. No. 510,260

U.S. Pat. Nos. Issue Date Inventor U.S. Pat. No. 5,440,677 August 1995 Case et. al. U.S. Pat. No. 5,471,576 November 1995 Yee U.S. Pat. No. 5,515,490 May 1996 Buchanan et. Al U.S. Pat. No. 5,542,023 July 1996 Sakai et. al.

H) Reference to Claim Number 2

-   Title: Man/Machine Interface -   Inventors: Guy S. Huffener, Krelttmayr Str 28, D-8000 Munchen 2,     Germany -   Assignee: -   U.S. Pat. No. 910,253 -   Filed: Nov. 13, 1990

application Ser. No. Filing date U.S. Pat. No. Issue Date 910,253 Nov. 13, 1990 U.S. Pat. No. Jan. 17, 1995 5,382,891

Related U.S. patent Documents to U.S. Pat. No. 910,253

U.S. Pat. Nos. Issue Date Inventor U.S. Pat. No. 4,692,676 September 1987 Dohi et. al. U.S. Pat. No. 4,732,099 March 1988 Neki et. al. U.S. Pat. No. 4,749,923 June 1988 Chieng. U.S. Pat. No. 5,180,954 January 1993 Wekana et. al. U.S. Pat. No. 5,189,968 March 1993 Eichenseer

I) Reference to Claim Number 3

-   Title: System and Method For Enabling Multimedia Production     Collaboration Over a Network -   Inventors: Matthew D. Moller, San Francisco, Calif. -   Graham Lyus, Bexley (GB) -   Michael Franke, San Francisco, Calif. -   Assignee: Rocket Network, Inc., San Francisco, Calif. -   application Ser. No. 09/401,318 -   Filed: Sep. 23, 1999

application Ser. No. Filing date U.S. Pat. No. Issue Date 09/401,318 Sep. 23, 1999 U.S. Pat. No. Jul. 23, 2003 6,598,074 B1

Related U.S. patent Documents to application Ser. No. 09/401,318

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J) Reference to Claim Number 3

-   Title: Computer Based Automatic Audio Mixer -   Inventors: John D. Marshall, Redwood City, Calif.     -   John C. Gaddy, Cupertino, Calif. -   Assignee: John C. Gaddy, Cupertino, Calif. -   application Ser. No. 09/751,151 -   Filed: Dec. 27, 2000

application Ser. No. Filing date U.S. Pat. No. Issue Date 09/751,151 Dec. 27, 2000 U.S. Pat. No. Apr. 28, 2009 7,526,348 B1

Related U.S. patent Documents to application Ser. No. 09/751,151

U.S. Pat. Nos. Issue Date Inventor U.S. Pat. No. 2,265,097 December 1941 Best U.S. Pat. No. 5,341,253 August 1994 Liao et. al. U.S. Pat. No. 5,608,707 March 1997 Ogawa U.S. Pat. No. 5,621,805 April 1997 Loh et. al. U.S. Pat. No. 5,768,126 June 1998 Frederick U.S. Pat. No. 5,774,567 June 1998 Heyl U.S. Pat. No. 5,859,826 January 1999 Ueno et. al. U.S. Pat. No. 5,978,762 November 1999 Smyth et. al. U.S. Pat. No. 6,636,609 October 2003 Ha et. al.

STATEMENT REGARDING FEDERALLY SPONSORED RESEARCH OR DEVELOPMENT

Not Applicable

REFERENCE TO SEQUENCE LISTING A TABLE A COMPUTER PROGRAM LISTING COMPACT DISC APPENDIX

Applicable Software Program

BACKGROUND OF THE INVENTION a) Field of Invention

-   -   This Instant Music Composing/Music Producing Software and         Algorithm referred to as “iTDO Digital Music System—The         Automated Digital Producer and Composer” is useful in the Music         Production and Songwriting and Composing areas within the Music         Industry; comparable to Digital Music Production Software such         as ‘Fruity Loops”, Logic, Cubasic, and Protools.

b) Classification Definition

-   -   According to the U.S. Patent Classification         System—Classification Definitions, for this “iTDO Digital Music         System—The Automated Digital Producer and Composer” is Class         84/609. Class Definition for 84/609 is MUSIC/NOTE SEQUENCE (also         408 should be acknowledge as a subclass); Also Class 700/67/94         DATA PROCESSING: GENERIC CONTROL SYSTEMS OR SPECIFIC         APPLICATION/DIGITAL AUDIO DATA PROCESSING SYSTEM (also 381         should be acknowledge as a subclass)

Theses class definitions above herein provides for utility patents claiming Music Utility Software and Algorithm as a succession of musical notes is sequentially processed by digital memory circuit for performance or comparison. This subclass 67 refers to plural sensed conditions or plural signals developed from a single sensed condition are utilized to generate a control system signal. And Subclass 94 whereas the particular art or field is the processing of digital data which represents an audio signal.

-   -   (1) Note. This subclass is limited solely to audio data         processing systems that are not classified elsewhere.     -   (2) Note. An “audio signal” is an electrical signal which         represents spoken or other sounds which vary with time, and may         be in digital or analog form (this form implies a conversion to         digital form before the digital data processing).     -   (3) Note. Nominal recitation of “audio” is not sufficient to         afford classification herein of an invention which would be         otherwise classified elsewhere.

Lastly, subclass 381 covers Electrical Audio Signal Processing Systems and Devices, appropriate subclasses.

c) Description of Prior Model

-   -   The industry has done well with Digital Music Production         Software such as ‘Fruity Loops”, Logic, Cubasic, and Protools.         These programs are used to arrange, compose, and produce songs.         These programs also have database capabilities to store sounds         and “loops” samples to help a non-musician producer create music         compositions using whats already pre-recorded in the software.         However, never has there been an extra added convenience of         having a computer which can create melodies, select         arrangements, and structure sequences to create new songs to an         infinite degree like the “iTDO Digital Music System—The         Automated Digital Producer and Composer”. Music Producers and         Songwriters sometimes suffer from writers block and cannot         always come up with fresh new ideas, or, music producers and         songwriters may become too busy to produce all the songs their         obligated to create and arrange. The iTDO Digital Music         System—The Automated Digital Producer and Composer can create         songs to an infinite degree from its pre-stored database of         loops, samples, musical instrument sound, etc., that ultimately         can create unlimited new songs. Uniquely, Producers and         Songwriters can upload their own loops and sounds, etc. into the         computer and iTDO Digital Music System's permutation and         combination software algorithm will be able to sequence         unlimited songs with their sound. Also, anyone who needs to         complete a music project but do not know how to produce can         purchase the iTDO Digital Music System—The Automated Digital         Producer and Composer software and have it create songs from its         generic pre-stored database of loops, samples, music instrument         sound, etc., that ultimately can create unlimited new songs. If         they want deluxe editions which will have a digital blueprint of         the special sounds and pre-programmed melody patterns and         production styles from renowned star producers, however the         software will cost more. Lastly, if anyone desires to sing on         any of the new tracks created by the iTDO Digital Music         System—The Automated Digital Producer and Composer software, the         software also has a component whereas if a non-singer simply         records their own voice singing a song, the software will be         able to apply a melody (which will be generated by the software)         to the recorded voice, quantize the timing and correct the         notes, pitch and tonality.

BRIEF SUMMARY OF INVENTION

The “iTDO Digital Music System—The Automated Digital Producer and Composer” provides a complete and convenient instant music maker, whereas the computations are unlimited combinations and sequences of its pre-stored database of loops, samples, music instrument sound, etc., that ultimately can create unlimited new songs.

The Following Pages are Drawings: Pages 11A Through 11L

The following diagrams show the algorithm computational flow and combination options with is encoded within the software of the iTDO Digital Music System solution.

In all drawings and diagrams, BLACK represents Music Genre, ORANGE represents Music Structure and Style, GREEN represents Musical Beat, PURPLE represents Musical Melody and Rhythm, and BLUE represents the Music Format and Arrangement.

In FIG. 1 on Page 11a shows a summarized breakdown of each music ingredient from Structure, Beat, Melody & Rhythm and Format Arrangement.

In FIG. 2 on Page 11b it shows Music Genre 1 (as indicated with a Black Rectangle with the number 1 in it), whereas the arrows flow in the sequence which the algorithm will follow in computing a Rhythm & Blues/Hip Hop Composition.

In FIG. 3 on Page 11c, the Legend decodes the symbols and color codes of the Diagram “FIG. 1” on Page 11b.

In FIG. 4 on Page 11d it shows Music Genre 2 (as indicated with a Black Rectangle with the number 2 in it), whereas the arrows flow in the sequence which the algorithm will follow in computing a Pop Music Genre Composition.

In FIG. 5 on Page 11e, the Legend decodes the symbols and color codes of the Diagram “FIG. 3” on Page 11d.

In FIG. 6 on Page 11f it shows Music Genre 1 (as indicated with a Black Rectangle with the number 1 in it), whereas the arrows flow in the sequence which the algorithm will follow in computing a Gospel Music Genre Composition.

In FIG. 7 on Page 11g, the Legend decodes the symbols and color codes of the Diagram “FIG. 5” on Page 11f.

In FIG. 8 on Page 11 h it shows Music Genre 1 (as indicated with a Black Rectangle with the number 1 in it), whereas the arrows flow in the sequence which the algorithm will follow in computing a Country Music Genre Composition.

In FIG. 9 on Page 11i, the Legend decodes the symbols and color codes of the Diagram “FIG. 7” on Page 11h.

In FIG. 10 on Page 11j it shows Music Genre 1 (as indicated with a Black Rectangle with the number 1 in it), whereas the arrows flow in the sequence which the algorithm will follow in computing a Rock and/or Alternative Music Genre Composition.

In FIG. 11 on Page 11k, the Legend decodes the symbols and color codes of the Diagram “FIG. 9” on Page 11j.

FIGS. 12a and 12b on Page 11l and 11m, consecutively, shows the entire algorithm flow diagram from start to finished composition using the same applicable symbols and color codes associated with consistently coded Legends FIG. 3, FIG. 5, FIG. 7, FIG. 9, and FIG. 11.

DETAIL DESCRIPTION OF THE INVENTION

Introduction: “iTDO Digital Music System—The Automated Digital Producer and Composer”

Clarifications

-   -   Music Producers and Songwriters sometimes suffer from writers         block and cannot always come up with fresh new ideas, or, music         producers and songwriters may become too busy to produce all the         songs their obligated to create. The iTDO Digital Music         System—The Automated Digital Producer and Composer can create         songs of any genre of music globally from its pre-stored         database of loops, samples, music instrument sound, etc., that         ultimately can create unlimited new songs. Uniquely, Producers         and Songwriters can also upload their own loops and sounds, etc.         into the computer and iTDO Digital Music System's permutation         and combination software algorithm will be able to sequence         unlimited songs with their sound.     -   Anyone who needs to complete a music project but do not know how         to produce can purchase the iTDO Digital Music System—The         Automated Digital Producer and Composer software and have it         create songs from its generic pre-stored database of loops,         samples, music instrument sound, etc., that ultimately can         create unlimited new songs. If they want deluxe editions which         will special sounds from star producers, however the software         will cost more.     -   Every new composition will be associated with a digital computer         generated “blueprint” of itself which will be stored and filed         into a database so it can instantly be referenced and found when         necessary. The necessity to reference and find the “blueprint”         of the composition is so that if the software utility creates a         sequence and composition that was already created, produced and         composed, the iTDO Digital Music System system will alert the         user, prohibit the user from saving the sequence and         composition, and request user to try again. The iTDO Digital         Music System system will require user to register software         online, and, register each composition created online on the         iTDO Digital Music System website utility. Every composition and         sequence written and produced by the iTDO Digital Music System         software is owned and is the property of iTDO Digital Music         System creators and owners. If a producer(s) later alter, add         to, re-arrange or change the musical composition that was         originally created using the iTDO Digital Music System Solution,         the resulting composition will still be the copyrighted property         of the iTDO Digital Music System owner and creators.     -   Anyone who desires to sing on any of the new tracks created by         the iTDO Digital Music System—The Automated Digital Producer and         Composer software, the software also has a component whereas if         a non-singer simply records their own voice singing a song, the         software will be able to apply a melody (which will be generated         by the software) to the recorded voice, quantize the timing and         correct the notes, pitch and tonality.

Identifies and Defines Purpose

-   -   The purpose of “iTDO Digital Music System—The Automated Digital         Producer and Composer” is to provide extra added convenience,         higher volume of song output, and reliable quality by having the         computer select arrangements and sequences to create new songs.

The “iTDO Digital Music System—The Automated Digital Producer and Composer” software is based on the algorithm designed and formulated to manipulate various pre-recorded and digitized sounds and musical loops compiled and stored in a database so it can be randomly selected and structured into a song format.

iTDO Digital Music System—The Automated Digital Producer and Composer uploads musical loops and sounds into a database and categorized; each input automatically goes into either a database of musical “loops”, all sounds goes into a “sound bank” which allows the software access to the sound when it is about to chose a sound, and form a music melody with the sound, as well as into a database which categorizes by instruments. This would be accomplished when the software is placed in “Upload Mode”.

iTDO Digital Music System—The Automated Digital Producer and Composer selects pre-recorded sounds and loops, and combined them and arrange them into songs. For example: the software will knows the time signature, pitch, tempo, tone, and key of any pre-recorded sound or loop, so, it can match these elements to prevent sonic incompatibility, and to assure perfect musical blends. The software also knows various song structures and formats; therefore it can isolate and arrange section of loops and sounds and properly place them into a song arrangement and format. This would be accomplished when the software is placed in “song mode”. 

We claim:
 1. “iTDO Digital Music System” provides a New Method and System for Composing Original Musical Works. This Instant Music Composing/Music Producing Software and Algorithm referred to as “iTDO Digital Music System—The Automated Digital Producer and Composer” is useful in the Music Production and Songwriting and Composing areas within the Music Industry.
 2. The “iTDO Digital Music System” is a Music Composing/Music Producing Software and Algorithm referred to as “iTDO Digital Music System—The Automated Digital Producer and Composer”.
 3. The “iTDO Digital Music System” has a Unique Automated Music Digital Producer and Composer software solution which will enable blueprinting digital copies of compositions, referencing and filing compositions, comparing files for duplication instantly, and user interfacing and communication with software, composer, and owner's system database. 